Books published by publisher THE CLC PRESS

A catalog of wonders, from walking fish to self-medicating chimpanzees.This Atlas of Poetic Zoology leads readers into a world of wonders where turtles fly under the sea, lizards walk on water, insects impersonate flowers, birds don't fly, frogs come back from the dead, and virgin sharks give birth. Animals, writes Emmanuelle Pouydebat, are lyric poets; they discover and shape the world when they sing, dance, explore, and reproduce. The animal kingdom has been evolving for millions of years, weathering many crises of extinction; this book allows us to draw inspiration from animals' enduring vitality.Pouydebat's text, accompanied by striking color illustrations by artist Julie Terrazzoni, offers a catalog of wondrous beings. Pouydebat describes the African bush elephant―the biggest land mammal of them all, but the evolutionary descendant of a tiny animal that stood less than fifty centimeters (nineteen inches) high sixty million years ago; the scaly, toothless pangolin, the world's most endangered mammal―and perhaps its most atypical; the red-lipped batfish, which walks, rather than swims, across the ocean floor; and the great black cockatoo, a gifted percussionist. Chimpanzees, she tells us, self-medicate with medicinal plants; the jellyfish, under stress, reverts to juvenile polyp-hood; and the sweetly named honey badger feeds on reptiles, termites, scorpions, and earthworms. Pouydebat, a researcher at the French Museum of Natural History, and Terrazzoni capture the astonishment promised by any excursion into nature―the happiness that comes from watching a dragonfly, spider, frog, lizard, elephant, parrot, mouse, orangutan, or ladybug. It's the joy of witnessing life itself. We need only open our eyes to see.

In these Messenger Lectures, originally delivered at Cornell University and recorded for television by the BBC, Richard Feynman offers an overview of selected physical laws and gathers their common features into one broad principle of invariance. He maintains at the outset that the importance of a physical law is not "how clever we are to have found it out, but... how clever nature is to pay attention to it," and tends his discussions toward a final exposition of the elegance and simplicity of all scientific laws. Rather than an essay on the most significant achievements in modern science, The Character of Physical Law is a statement of what is most remarkable in nature. Feynman's enlightened approach, his wit, and his enthusiasm make this a memorable exposition of the scientist's craft. The Law of Gravitation is the author's principal example. Relating the details of its discovery and stressing its mathematical character, he uses it to demonstrate the essential interaction of mathematics and physics. He views mathematics as the key to any system of scientific laws, suggesting that if it were possible to fill out the structure of scientific theory completely, the result would be an integrated set of mathematical axioms. The principles of conservation, symmetry, and time-irreversibility are then considered in relation to developments in classical and modern physics, and in his final lecture Feynman develops his own analysis of the process and future of scientific discovery. Like any set of oral reflections, The Character of Physical Law has special value as a demonstration of the mind in action.

Dalgliesh.The Man Who Smiled begins with Wallander deep in a personal and professional crisis after killing a man in the line of duty; eventually, he vows to quit the Ystad police force for good. Just then, however, a friend who had asked Wallander to look into the death of his father winds up dead himself, shot three times. Ann-Britt Höglund, the department's first female detective, proves to be his best ally as he tries to pierce the smiling façade of his prime suspect, a powerful multinational business tycoon. But just as he comes close to uncovering the truth, the same shadowy threats responsible for the murders close in on Wallander himself.All of Mankell's talents as a master of the modern police procedural—which have earned him legions of fans worldwide—are showcased in The Man Who Smiled, which is the fourth of the eight Wallander books published thus far in English.

The role of design in the formation of the Silicon Valley ecosystem of innovation.California's Silicon Valley is home to the greatest concentration of designers in the world: corporate design offices at flagship technology companies and volunteers at nonprofit NGOs; global design consultancies and boutique studios; research laboratories and academic design programs. Together they form the interconnected network that is Silicon Valley. Apple products are famously “Designed in California,” but, as Barry Katz shows in this first-ever, extensively illustrated history, the role of design in Silicon Valley began decades before Steve Jobs and Steve Wozniak dreamed up Apple in a garage.Offering a thoroughly original view of the subject, Katz tells how design helped transform Silicon Valley into the most powerful engine of innovation in the world. From Hewlett-Packard and Ampex in the 1950s to Google and Facebook today, design has provided the bridge between research and development, art and engineering, technical performance and human behavior. Katz traces the origins of all of the leading consultancies—including IDEO, frog, and Lunar—and shows the process by which some of the world's most influential companies came to place design at the center of their business strategies. At the same time, universities, foundations, and even governments have learned to apply “design thinking” to their missions. Drawing on unprecedented access to a vast array of primary sources and interviews with nearly every influential design leader—including Douglas Engelbart, Steve Jobs, and Don Norman—Katz reveals design to be the missing link in Silicon Valley's ecosystem of innovation.

An industry insider explains why there is so much bad software―and why academia doesn't teach programmers what industry wants them to know.Why is software so prone to bugs? So vulnerable to viruses? Why are software products so often delayed, or even canceled? Is software development really hard, or are software developers just not that good at it? In The Problem with Software, Adam Barr examines the proliferation of bad software, explains what causes it, and offers some suggestions on how to improve the situation.For one thing, Barr points out, academia doesn't teach programmers what they actually need to know to do their jobs: how to work in a team to create code that works reliably and can be maintained by somebody other than the original authors. As the size and complexity of commercial software have grown, the gap between academic computer science and industry has widened. It's an open secret that there is little engineering in software engineering, which continues to rely not on codified scientific knowledge but on intuition and experience. Barr, who worked as a programmer for more than twenty years, describes how the industry has evolved, from the era of mainframes and Fortran to today's embrace of the cloud. He explains bugs and why software has so many of them, and why today's interconnected computers offer fertile ground for viruses and worms. The difference between good and bad software can be a single line of code, and Barr includes code to illustrate the consequences of seemingly inconsequential choices by programmers. Looking to the future, Barr writes that the best prospect for improving software engineering is the move to the cloud. When software is a service and not a product, companies will have more incentive to make it good rather than “good enough to ship."

Exploring the science in George R. R. Martin's fantastical world, from the physics of an ice wall to the genetics of the Targaryens and Lannisters.Game of Thrones is a fantasy that features a lot of made-up science—fabricated climatology (when is winter coming?), astronomy, metallurgy, chemistry, and biology. Most fans of George R. R. Martin's fantastical world accept it all as part of the magic. A trained scientist, watching the fake science in Game of Thrones, might think, “But how would it work?” In Fire, Ice, and Physics, Rebecca Thompson turns a scientist's eye on Game of Thrones, exploring, among other things, the science of an ice wall, the genetics of the Targaryen and Lannister families, and the biology of beheading. Thompson, a PhD in physics and an enthusiastic Game of Thrones fan, uses the fantasy science of the show as a gateway to some interesting real science, introducing GOT fandom to a new dimension of appreciation. Thompson starts at the beginning, with winter, explaining seasons and the very elliptical orbit of the Earth that might cause winter to come (or not come). She tells us that ice can behave like ketchup, compares regular steel to Valyrian steel, explains that dragons are “bats, but with fire,” and considers Targaryen inbreeding. Finally she offers scientific explanations of the various types of fatal justice meted out, including beheading, hanging, poisoning (reporting that the effects of “the Strangler,” administered to Joffrey at the Purple Wedding, resemble the effects of strychnine), skull crushing, and burning at the stake. Even the most faithful Game of Thrones fans will learn new and interesting things about the show from Thompson's entertaining and engaging account. Fire, Ice, and Physics is an essential companion for all future bingeing.

The departure of the last U.S. troops from Iraq at the end of 2011 left a broken country and a host of unanswered questions. What was the war really about? Why and how did the occupation drag on for nearly nine years, while most Iraqis, Britons, and Americans desperately wanted it to end? And why did the troops have to leave?Now, in a gripping account of the war that dominated U.S. foreign policy over the last decade, investigative journalist Greg Muttitt takes us behind the scenes to answer some of these questions and reveals the heretofore-untold story of the oil politics that played out through the occupation of Iraq. Drawing upon hundreds of unreleased government documents and extensive interviews with senior American, British, and Iraqi officials, Muttitt exposes the plans and preparations that were in place to shape policies in favor of American and British energy interests. We follow him through a labyrinth of clandestine meetings, reneged promises, and abuses of power; we also see how Iraqis struggled for their own say in their future, in spite of their dysfunctional government and rising levels of violence. Through their stories, we begin to see a very different Iraq from the one our politicians have told us about.In light of the Arab revolutions, the war in Libya, and renewed threats against Iran, Fuel on the Fire provides a vital guide to the lessons from Iraq and of the global consequences of America’s persistent oil addiction.

All the science in Breaking Bad—from explosive experiments to acid-based evidence destruction—explained and analyzed for authenticity.Breaking Bad's (anti)hero Walter White (played by Emmy-winner Bryan Cranston) is a scientist, a high school chemistry teacher who displays a plaque that recognizes his “contributions to research awarded the Nobel Prize.” During the course of five seasons, Walt practices a lot of ad hoc chemistry—from experiments that explode to acid-based evidence destruction to an amazing repertoire of methodologies for illicit meth making. But how much of Walt's science is actually scientific? In The Science of “Breaking Bad,” Dave Trumbore and Donna Nelson explain, analyze, and evaluate the show's portrayal of science, from the pilot's opening credits to the final moments of the series finale. The intent is not, of course, to provide a how-to manual for wannabe meth moguls but to decode the show's most head-turning, jaw-dropping moments. Trumbore, a science and entertainment writer, and Nelson, a professor of chemistry and Breaking Bad's science advisor, are the perfect scientific tour guides.Trumbore and Nelson cover the show's portrayal of chemistry, biology, physics, and subdivisions of each area including toxicology and electromagnetism. They explain, among other things, Walt's DIY battery making; the dangers of Mylar balloons; the feasibility of using hydrofluoric acid to dissolve bodies; and the chemistry of methamphetamine itself. Nelson adds interesting behind-the-scenes anecdotes and describes her work with the show's creator and writers. Marius Stan, who played Bogdan on the show (and who is a PhD scientist himself) contributes a foreword. This is a book for every science buff who appreciated the show's scientific moments and every diehard Breaking Bad fan who wondered just how smart Walt really was.

Andy Warhol's daily practice of photography during the last decade of his life, examined and documented for the first time.“A picture means I know where I was every minute. That's why I take pictures.”―Andy WarholFrom 1976 until his death in 1987, Andy Warhol was never without his camera. He snapped photos at discos, dinner parties, flea markets, and wrestling matches. Friends, boyfriends, business associates, socialites, celebrities, passers by: all captured Warhol's attention―at least for the moment he looked through the lens. In a way, Warhol's daily photography practice anticipated our current smart phone habits―our need to record our friends, our families, and our food. Warhol printed only about 17 percent of the 130,000 exposures he left on contact sheets. In 2014, Stanford's Cantor Center for the Arts acquired the 3,600 contact sheets from the Warhol Foundation. This book examines and documents for the first time these contact sheets and photographs―Warhol's final body of work Peggy Phelan and Richard Meyer analyze the contact sheets, never before seen, and their importance in Warhol's oeuvre. Accompanying their text and other essays are reproductions of contact sheets, photographs, and other visual material. The contact sheets present Warhol's point of view, unedited; we know where he was every minute because a photograph remembers it.Copublished with the Cantor Arts Center

An introduction to modern physics and to Richard Feynman at his witty and enthusiastic best, discussing gravitation, irreversibility, symmetry, and the nature of scientific discovery.Richard Feynman was one of the most famous and important physicists of the second half of the twentieth century. Awarded the Nobel Prize for Physics in 1965, celebrated for his spirited and engaging lectures, and briefly a star on the evening news for his presence on the commission investigating the explosion of the space shuttle Challenger, Feynman is best known for his contributions to the field of quantum electrodynamics. The Character of Physical Law, drawn from Feynman's famous 1964 series of Messenger Lectures at Cornell, offers an introduction to modern physics―and to Feynman at his witty and enthusiastic best.In this classic book (originally published in 1967), Feynman offers an overview of selected physical laws and gathers their common features, arguing that the importance of a physical law is not “how clever we are to have found it out” but “how clever nature is to pay attention to it.” He discusses such topics as the interaction of mathematics and physics, the principle of conservation, the puzzle of symmetry, and the process of scientific discovery. A foreword by 2004 Physics Nobel laureate Frank Wilczek updates some of Feynman's observations―noting, however, “the need for these particular updates enhances rather than detracts from the book.” In The Character of Physical Law, Feynman chose to grapple with issues at the forefront of physics that seemed unresolved, important, and approachable.

Winner, category of History and American Studies, Professional/Scholarly Publishing Annual Awards Competition presented by the Association of American Publishers, Inc. and Winner of the prize for Outstanding Book in the History of the Neurosciences presented by the International Society for the History of the Neurosciences (ISHN). In 1848 a railway construction worker named Phineas Gage suffered an accident that made him a major curiosity of medicine and a significant figure in psychology and neuroscience: an explosion caused a tamping iron to be blown completely through his head, destroying the left frontal lobe of his brain. Gage survived the accident and remained in reasonable physical health for another eleven years. But his behavior changed markedly after the injury, and his case is considered to be the first to reveal the relation between the brain and complex personality characteristics. Yet almost nothing is known about him, and most of what is written is seriously in error. In this book Malcolm Macmillan, a leading authority on Gage, covers all aspects of this fascinating story. He describes Gage's family and personal background, the context of his work and the accident, and Gage's subsequent history. He analyzes contemporary medical and newspaper reports of the accident and its consequences, and evaluates the treatment Gage received from Dr. John Martyn Harlow. He also looks at Harlow's own life and work. Macmillan examines Gage's place in the history of how functions came to be localized in the brain. He explores the many ways that Gage's tale has been represented and misrepresented through the years in popular, fictional, and scientific works. One of Macmillan's primary aims is to rescue the case from the predominantly fantastic accounts so that its real contribution to modern neuroscience can be understood. Partly for this reason, the appendices include facsimiles of Harlow's 1848 and 1868 reports, the primary sources about Gage, and previously unpublished CT scans of Gage's skull made in 1982.